Ben
Graves - AntiProduct/Murderdolls Originally from the Boston area, Ben Graves moved to L.A. with friend
and bassist Eric Griffin to become a member of the band Synical.
The Murderdolls were searching for a rhythm section in the spring
of 2002. Guitarist Tripp Eisen (since replaced by Acey Slade) knew
Eric and decided to ask if he would be interested in filling the
bass position. When asked if he knew any drummers that could do
the job, Eric suggested Ben.
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Ben's Kit
MMX
Masters Series
Black Sparkle
22x18 bass drum x 2
13x11 tom
16x16 floor tom
14x6.5 snare 14x6.5 Brass Sensitone
14x6.5 Carbon Fiber
14x6.5 UltraCast
B1000
boom stand x 6
C1000 straight stand
S2000 snare stand
RH2000 remote hi-hat
P2000C pedal x 2
CLH1000 closed hi-hat
AX25L adapter
75X cowbell holder
The three of them got together to jam, and Tripp took a video of the session, which was later shown to Murderdoll founder/guitarist Joey Jordison. After Joey reviewed the tape, it was decided that Ben and Eric both had the skills and image needed to join the Murderdolls. In
a world where it's all too easy to point out everything that's wrong
about music, Murderdolls represent everything that could be right
with the release of their debut, Beyond the Valley of the Murderdolls.
That may sound like a bold mission statement from a band whose songs
include such frightfully decadent ditties as "Love At First
Fright," "Grave Robbing U.S.A." and "Kill Miss
America," but don't lose their point in the same self-righteous
haze that's clouding over too much of the modern music scene.
"I think a lot of kids will be medicated by this record, because
it's not just another record with the depressing lyrics," says
Murderdolls guitarist Joey Jordison, all too aware that he's treading
in provocative water with the new outfit, a drastic change of pace
from his other band, Slipknot. "To me, that's the point. What
would be the point of doing something remotely like Slipknot? I
don't play drums in this band, I don't wear a mask in this band,
and the music is a polar opposite. While still being heavy, it's
a breath of fresh air compared to what I normally do, because it's
fun - It's catchier, more easily digestible, and has that fun factor
to it, and there's nothing wrong with that, because everything can't
be so heavy and depressed all the time."
Murderdolls began as The Rejects more than seven years ago, the
brainchild of Jordison long before Slipknot became this millennium's
metal revolutionaries. His lineup experienced substantial growing
pains before he met Eisen (then guitarist of Dope) while touring
together in '99, and Tripp recruited Wednesday 13 as a bassist.
Bringing new songs of his own into the fold, it wasn't long before
the bassist made the shift to lead singer, and Eric Griffin and
Ben Graves rounded out the band's current lineup. A garage band
in every sense of the word, they'd played only four shows with the
duo of Jordison and Eisen on guitars, and had yet to perform with
their new frontman upon the completion of the album. In fact, Jordison
didn't even meet Wednesday until the day they entered the studio
to record.
"We're
taking stuff from our favorite bands and doing it the way that we've
always wanted it done, taking it to a place where we've never seen
anybody try and take it," continues Wednesday, citing Mötley
Crüe, Twisted Sister and Alice Cooper as significant influences
on his share of Murderdolls' "violent Sex Pistols" sound.
"We're bringing the danger aspect back..."